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Regarded as one of the most innovative and ground-breaking of filmmakers in mid-20th Century Cinema, the work of John Cassavetes goes through phases of re-discovery and returned obscurity. Because his films were so individual and personal, they were often derided in the press as self-indulgent and pretentious. At a time when mainstream films were slick and neatly packaged, John Cassavetes, along with a group of actors, including his wife Gena Rowlands, deconstructed the form and turned it into a gritty depiction of realism that rivaled the work of Italian counterparts breaking similar ground at the same time.
In short, you either loved the work of John Cassavetes or you hated it. There seemed to be no middle ground – even today.
Not only was Gena Rowlands the centerpiece of many of Cassavetes films, she was one of the great talents who worked in and out of the mainstream, much like Cassavetes. The mainstream was a funding source, a means to an end.
As part of a series of interview/question and answers, the film critic and historian Arthur Knight held a screening of the newly released Woman Under The Influence and invited Rowlands and Cassavetes to the interview/Q&A session. Sadly, the questions are barely audible and there is a dandy hum going through much of the interview (which I have tried my best to get rid of). But this is a rare glimpse into the process of filmmaking by who are considered the First Family of Independent Film.
It was done on February 20, 1975 and runs 90 minutes. It’s all worth it.
- Seeing John Cassavetes (newyorker.com)
- Love Streams (myoldaddiction2.wordpress.com)
- Words of wisdom from a few of my icons: John Cassavetes, Gina Rowlands and Rainer Werner Fassbinder (dianepernet.typepad.com)
- Kim Gordon Will Discuss John Cassavetes Tuesday Night (galleristny.com)
- The Clippings File: Peter Falk on John Cassavetes (newyorker.com)
- John Cassavetes, Peter Falk and Ben Gazzara take over ‘The Dick Cavett Show,’ 1970 (dangerousminds.net)